Pour one out for DiscoShow, degenerates. The Spiegelworld production at the LINQ is taking its final bow tonight, ending a run that quietly fizzled rather than spectacularly flamed out.

The writing was on the wall a couple weeks ago when they started giving away tickets. Nothing says "we're in trouble" quite like free admission to a show that used to charge $60 a head.

The Quick Hit

• What happened: DiscoShow closes after its Saturday January 3 performance
• The sign: They started giving away free tickets recently
• The producer: Spiegelworld, known for Absinthe and other hits
• The venue: LINQ Promenade, which has struggled to find its identity

Another One Down

Strip entertainment has been brutal lately. The pandemic wiped out shows that had run for decades, and the recovery has been uneven at best. Shows that seemed like sure things have closed, while new productions struggle to find audiences.

DiscoShow was supposed to be a fun, immersive disco experience. It had the Spiegelworld pedigree—these are the people behind Absinthe, one of the most successful shows in Vegas history. But not every swing connects.

The LINQ has had trouble drawing the kind of foot traffic that supports shows. It's in a weird spot on the Strip, caught between the older casinos to the south and the newer mega-resorts to the north. The High Roller observation wheel was supposed to be a draw, but it hasn't generated the spillover they hoped for.

Spiegelworld's Mixed Bag

Spiegelworld has been aggressive about expanding, and their track record is genuinely mixed. Absinthe at Caesars remains a phenomenon. OPM at the Cosmopolitan has its fans. But other productions have struggled to replicate that success.

The challenge is that Absinthe works because it's genuinely shocking and transgressive. It's the kind of show you tell your friends about because you can't believe what you saw. Trying to bottle that energy for other concepts is harder than it looks.

Vegas Entertainment Reality Check

The truth is that Vegas entertainment is consolidating around a few proven winners. The Sphere is sucking up a lot of the entertainment oxygen with its residencies from Eagles, Backstreet Boys, and others. Traditional shows are fighting for a shrinking pool of tourists who are increasingly budget-conscious.

J.Lo just launched a new residency at the Colosseum—that's where the money is going. Big names at premium prices, while smaller productions fight for scraps.

The Bottom Line

DiscoShow's closure is a reminder that Vegas entertainment is a brutal business. Even with a successful producer behind it, shows can fail if the timing, location, or concept doesn't click. If you're in Vegas tonight and want to catch the final performance, it's free. Which, honestly, is kind of sad—but at least you'll get to see something unique before it disappears forever.

Rest in peace, DiscoShow. You were too funky for this world.